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Communication Breakdown

Communications from the world of, er, communications. And other stuff.

Tuesday 12 May 2009, 12:43 PM

Filesharing and bilesharing: a 'three-strikes' rant

Posted by David Meyer

The UK Film Council and other luminaries of the creative industries have gone on the warpath about filesharing, calling for persistent sharers to be kicked off the internet.

According to the BBC, the coalition "wants the government to force internet service providers (ISPs) to disconnect users who ignore repeated warnings about sharing illegal content". So, basically a UK version of Sarkozy's beloved Hadopi/'three strikes' law, which was rejected by French parliamentarians but is coming back, zombie-style, for a second shot.

Here's a golden quote from the UKFC chief in the Beeb's piece:

Mr Woodward said: "The growing threat of illegal P2P (peer to peer) file-sharing threatens [the creative industries], as films go unmade, DVD sales deteriorate and jobs are lost in production and distribution of content."

Why golden? Look back to this UKFC statement, also quoting Woodward and released… ooh, two weeks ago. Here he is on the real reason for the drop in film production:

This is all about timing and tax breaks. As regards the big US studio financed films what we are seeing is the debris from last year's perfect storm when pictures weren't being greenlit because of US strike action and there were $2 to £1. So a production dip at the end of 2008 and the beginning of 2009 isn't a surprise. Fortunately the 2nd half of this year is looking good and we fully expect a serious bounce back based on enthusiasm for the film tax credit and the turnaround in the £/$ exchange rate.

What I'm much more concerned about right now is the drop in UK independent production starts - by which I mean co-productions. And this is largely a function of the one flaw in the otherwise excellent film tax credit which disincentivises co-productions by focusing tax relief only on production spend made on the ground in the UK.


So, nothing to do with piracy then! It's all down to tax credits and overseas strikes. But things are looking up, so no worries.

Of course, there's more to pick on in Woodward's BBC quote. DVD sales are deteriorating… well, yes. They would, having been superseded by Blu-ray and, more pertinently, downloads – legal as well as otherwise. Similarly, jobs are being lost in the "distribution of content" because the entire distribution model has changed. This is how things work in 2009.

The ISP Association (ISPA) has naturally told the creative coalition where it can stick its three strikes, using the opportunity to point out the hypocrisy in the content industry's call:

Internet companies remain extremely frustrated by the ongoing difficulties in securing licensing that is needed to offer consumers legal alternatives through new models of online content distribution. It is our view that legislation on enforcement should only be introduced on the condition that the rights holder industry commits to significant licensing reform.

Quite.

What about the artists themselves? Let's ask Chuck D, who I had the pleasure of interviewing about DRM back in 2006. He was the subject of the 60-second interview in this morning's Metro freesheet, and was asked about Public Enemy's new tour of It Takes A Nation Of Millions To Hold Us Back. Here's what he had to say:

It amazed me that a lot of people who have gravitated to the album weren't even born when it was recorded. But it's YouTube and iLike and MySpace, and file-sharing, which highlighted the existence of it. So I can't shoot down file-sharing, as it's benefited us tremendously.

But of course, Chuck D is a man who's actually playing around with new music models like Sellaband, rather than whingeing about how the jalopy has fallen out of fashion, so the creative industry would clearly never go to him as a mouthpiece.

Anyway, back to the legality stuff. Last week's European Parliament vote on the Telecoms Package was a fascinating affair. Some media outlets reported that the EP had rejected the Telecoms Package because of its heavily-contested net neutrality provision. What actually happened was the Parliament voted for the Package, knowing full well that the Council of Telecoms Ministers, which needs to ratify the bundle of laws before they can be enacted, hates the idea of net neutrality and will probably sink the package in its entirety.

Why did they vote it through anyway then? Who knows – the parliamentarians are at the end of their terms, as elections loom, and maybe they wanted a last act of defiance. Or maybe they just want to leave it for the next lot. Anyway, the formidable telecoms commissioner, Viviane Reding, still seems to think the Telecoms Package might be passed. Here she is, speaking yesterday in Prague:

From the governance point of view "Net Neutrality" is essential. New network management techniques allow traffic prioritisation. These tools may be used to guarantee good quality of service but may also be used for anti-competitive practices. The Commission has taken steps to empower national regulators to prevent such unfair abuse to the detriment of consumers. These measures are at the heart of the new telecoms regulatory package for which adoption is imminent thanks also to the Czech Presidency that is sparing no effort to make it happen!

Go Viv! Let's hope her wish comes true, but I have my doubts.

I should mention that I am myself a musician – I have a rock band called Guns To Caviar (plug plug) – and so I really want to see where the new-music-business-model thing goes. For now, that entails giving away our music for free as a promotional thing, but in the future it'd sure be nice to make some money off it!

I understand why the industry is worried, but I'm also extremely frustrated at how intent the industry seems on holding itself back at every opportunity. It won't work – we're past that point now. We need a new way to work it out.

On a final note, I'll refer you to this excellent post from the admirably acerbic analyst Dean Bubley, who has a fairly comprehensive and entirely sensible list of reasons why three-strikes would never, ever work. And to this Institute of European Media Law (EML) study, which shows how a new approach to pricing could bring rewards for everyone.

Comments on this post

BitSmith

I expect the UK film council may be hoping for a result similar to that achieved by IRMA (The Irish Recorded Music Association) which forced Ireland's largest ISP, Eircom, into an out of court settlement under the terms of which, according to IRMA... "the record companies will supply eircom with the IP addresses of all persons who they detect illegally uploading or downloading copyright works on a peer to peer ( P2P) basis.

Eircom has agreed that it will from now on implement a graduated process in which it will:

1) inform its broadband subscriber that the subscribers IP address has been detected infringing copyright and

2) warn the subscriber that unless the infringement ceases the subscriber will be disconnected and

3) in default of compliance by the subscriber with the warning it will disconnect the subscriber."

IRMA also wants access to web sites like pirate bay to be blocked at the ISP level citing both EU directives and Irish law as grounds for this.

This then is essentially an agreement between Eircom and IRMA to disconnect subscribers and block content at IRMA's discretion.

Following this legal coup, IRMA wrote to all service providers demanding similar capitulation under the threat of legal action.

Michele Neylon, MD of the popular ISP Blacknight solutions, published the threat letter in his blog (http://blog.blacknight.com/irma-threatens-irish-isps.html) and has some interesting points to make on it, not least that they are not an access (DSL) provider but rather a hosting provider - a distinction that seems to have been overlooked by IRMA.

You can read the PDF of the IRMA letter to Blacknight here;
http://blog.blacknight.com/images/irmaletter.pdf

The situation continues to develop on the ground, and as I understand it Eircom has yet to disconnect any subscriber, however a dangerous precedent has been already been set with Eircom's agreement to disconnect a subscriber on the basis of an IP supplied by IRMA.

The UK film council must surely be rubbing it's hands with glee at the prospect of such a settlement in the UK, something which it may feel it can achieve by virtue of the same EU directives quoted in the Irish case.

Updated by BitSmith on May 13, 2009 9:43 AM

David Meyer

What a coincidence - France passed Hadopi today...

Posted by David Meyer on May 12, 2009 7:15 PM

azonei

Interesting read, David.
I'm sure I read in your quoted article ( the Telecoms Act) that it would essentially outlaw the 'three-strikes' plans. Something about internet access being a human right...

ah well, I'm sure if it all goes wrong the French could blockage a few ports...

Oh, and if you're looking for a way to make money off your music, try having a look at the model set up by Trent Reznor of Nine Inch Nails... seems that the money isn't coming from record sales any more, but from touring & merchandise...

Updated by azonei on May 13, 2009 6:05 PM

David Meyer

@azonei

Actually, I'm a big fan of Trent & NIN, and have been greatly enjoying his new music model (note: he put his music out for free/very little after Radiohead led the way, but unlike them he released it in full-quality FLAC format).

The issue there is that NIN are very well established, with a vast legacy fanbase. For new acts, the emerging 'paradigm' allows cheap/free DIY recording, cover art design and distribution - everything but marketing. Marketing is the glaring hole in the new model, and not an issue that Trent has to worry about anymore.

Updated by David Meyer on May 13, 2009 9:49 AM

David Meyer
  • David Meyer
  • London, UK
  • Member since: October 2006
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